Where Excellence and Expertise combine

Brass Ensemble

Jim’s professional music career began as a 14-year-old tuba player in a Dixieland band the Cedar Point amusement park in his hometown of Sandusky, Ohio.  After high school, he attended Mount Union College where Carl H. Kandel, a fantastic music educator, had developed a unique brass ensemble environment. The Mount Union Brass Choir played nearly every weekend at a church service or a symposium somewhere in Ohio or eastward. In his time at Mount Union, Jim had the opportunity to play, arrange, and conduct brass music at Carnegie Hall and Riverside Church in NYC, the Washington National Cathedral in DC, Yale University, Central Moravian Church in Bethlehem (PA), and other prestigious venues.

Choral music translates well to brass ensemble. Production, phrasing, and musical approach are similar in both mediums. Although Jim’s focus was on choral music, he started brass ensembles everywhere he lived. The music on this website is a result of that lifelong connection to brass ensemble music. These transcriptions were tailored for the ensemble. Recent examples include works for the Parma (OH) Symphony brass section. If you are interested in something that doesn’t match the instrumentation you have; Jim can create something that suits your ensemble. Obtaining a score includes receiving individual instrument parts.

The Robert King method of brass music description is used for these editions: TrumpetHornTrombone.EuphoniumTuba. In that format an arrangment with 3 trumpets, 2 horns, 3 trombones, and tuba would be listed as: 323.01.

Ascendit Deus
G. P. da Palestrina
222.11

Bogoroditse Devo
Sergei Rachmaninov
443.01

Christus factus est
Anton Bruckner
222.11

Earle of Oxford’s March
William Byrd
123.01

Fanfare for a Cathedral
James D. Feiszli
222.11

Hodie Christus natus est
Giovanni Gabrieli
222.20

Salvation is Created
Pavel Chesnokov
443.01

Sinfonietta, Movt.1
Leos Janacék
223.11 (with tympani)